Described by Strad Magazine as “Particularly impressive for her surpassing degree of imagination and vibrant sound,” violinist Deborah Buck has built a strong musical career as chamber musician, concertmaster, soloist, professor, and artistic leader.

Ms. Buck is Concertmaster of Orchestra Lumos. She has held concertmaster positions with the Brooklyn Philharmonic, St. Matthew’s Chamber Orchestra (L.A.) and the Los Angeles Opera Guild as well as many other noteworthy ensembles in the New York City area. As recitalist, Ms. Buck has performed at the Phillips Collection in Washington, D.C., over the airways for the Dame Myra Hess Series in Chicago/WFMT, “Sunday’s Live” in Los Angeles for KKGO, and at the Brooklyn Museum of Art. She has been featured as soloist with Lincoln Center’s Little Orchestra Society, Brooklyn Philharmonic, and most recently, Orchestra Lumos. In 2019, Ms. Buck received two commissions: one for solo violin by John Harbison called DeBut, and another for violin and piano called Fantasia on Beethoven’s Spring Sonata by Bruce Adolphe. In October (2021) Ms. Buck recorded the Suite for Solo Violin by John Harbison with Grammy winning producer, Silas Brown.

As a chamber musician, Ms. Buck enjoyed seventeen years of extensive concertizing, commissioning, and recording as a member of the Lark Quartet. The Lark actively pushed the boundaries of what a traditional string quartet could do by being one of the first quartets to commission new works that feature added percussion, clarinet, voice, and piano. The Lark has an extensive discography that include many of America’s most celebrated and prize-winning composers works.

A native of Los Angeles, Ms. Buck recorded for the motion picture and television industry. Her violin solos for television helped breathe life back into the re-mastered American Silent Film classic, “The Scarlet Letter” (Turner Classic Movies). Her National television debut came by way of a feature guest spot on the Family Channel’s, “It Takes Two” hosted by Dick Clark.

For twenty summers, Ms. Buck has taught at the Kinhaven Music School in Vermont where she and her husband have had the honor of serving as the Co-Executive Directors for the past eleven years. Since 2015, Ms. Buck has served as Assistant Professor of Violin and Head of Chamber Music at SUNY Purchase. Ms. Buck was a Starling Scholarship recipient at the Juilliard School as a student of Dorothy DeLay. She earned a Master’s Degree from the University of Southern California where she studied with Robert Lipsett, and was awarded the Jascha Heifetz Violin Scholarship. 

Violinist Robert Zubrycki is Concertmaster of the New York City Chamber Orchestra, a member of Orchestra Lumos, the American Symphony Orchestra, Assistant Concertmaster of Orchestra Moderne NYC and principal violin and frequent soloist with the Amici New York Orchestra. He has recently performed as Concertmaster for the New York Choral Society at Carnegie Hall, Encores! at City Center, Opera Orchestra of New York and the Northeastern Pennsylvania Philharmonic. He performs with the American Ballet Theater orchestra. A veteran of dozens of Broadway shows, Bob is in the orchestra of Carousel, and formerly in She Loves Me and A Gentleman’s Guide to Love and Murder. He can be heard on the recent cast recordings of She Loves Me, An American in Paris and Paint Your Wagon (violin and mandolin). He has won an Emmy Award for his musical contribution to the documentary The Curse of the Bambino.

As a chamber musician, Robert is the first violinist of the Queen’s Chamber Band and the Queen’s Chamber Trio. The Trio’s recordings of Mozart, Haydn and Beethoven are available on the Lyrichord label. Robert toured the United States with the Abaca String band, including performances at the Chautauqua Institute and the White House. He is currently the director for Concerts Around the Corner and the Cultural Arts Coalition in Brewster, NY. Bob is also an avid gardener.

He recently became a US Masters Swimming Adult Learn-to-Swim Instructor and is an American “Red Cross” certified lifeguard.

Cellist Caroline Stinson is the Naeem and Susanah Fayyaz Chair.  She is a native of Canada and has made her career across North America and Europe as a soloist, recitalist and chamber musician in traditional, 20th century and contemporary repertoire. Cellist of the internationally acclaimed Ciompi String Quartet and Associate Professor at Duke University in North Carolina, Ms. Stinson’s concert invitations include Carnegie’s Weill and Zankel Halls, Lincoln Center’s Alice Tully Hall, the Museum of Modern Art’s Summergarden Series, Bargemusic and Le Poisson Rouge in New York, Boston’s Gardner Museum, Washington D.C.’s Smithsonian; the Koelner Philharmonie, Lucerne Festival and Cité de la Musique in Europe, and the Centennial and Winspear Centres in Canada.

An active recitalist and chamber musician, Caroline is invited regularly as guest and has appeared at the Rencontres d’été Strasbourg, France, Rudersdal Sommerkoncerter, Denmark, Manchester Music, Newburyport and Caramoore Music Festivals in the USA. Since joining the Ciompi Quartet in 2018, she has performed with the group across the US, in Taiwan and Italy and has given solo recitals in New York City presented by the League of Composers and in Denmark. In 2022 she toured Lithuania with pianist Gabrielius Alekna performing Dialogues with Beethoven including a premiere by Žibuoklė Martinaityte.

Together with her husband, Andrew Waggoner, Caroline is co-artistic Director of the Weekend of Chamber Music, a summer music festival of concerts and events in the Southern Catskill Mountain Region of New York State. Now in their 9th year as directors and the festival’s 30th, WCM hosts multiple events over 3 weeks, featuring a composer-in-residence, and the select group of artists perform vivid, intimate concerts in rural spaces and unusual village sites across multiple counties. WCM also brings in graduate fellows in composition and performance to collaborate on new works and present as part of the festival itself.

Caroline’s close work with composers has been essential in building her understanding and communication of new music, and she is privileged to have worked closely with Bill Bolcom, Pierre Boulez, John Corigliano, George Crumb, John Harbison, Aaron Jay Kernis, Harold Meltzer, Shulamit Ran, Steven Stucky, Joan Tower, Andrew Waggoner and Anna Weesner; Peter Eötvös in Germany, and Pelle Gudmundsen-Holmgreen in Denmark, among many others. At the composer’s recommendation, she performed Esa-Pekka Salonen’s “YTA III”, for solo cello at Scandinavia House in New York, and performed Elliot Carter’s Triple Duo on two continents and for Swiss Radio with Pierre Boulez conducting, working with the composer on multiple occasions. Caroline has commissioned cello concerti, solo cello works and pieces with electronics, and chamber music, premiering dozens of works over a decade with the Lark Quartet and Open End Ensemble (a new music and improvisation group), and performing and touring with the Bang On a Can All-Stars, ISCM League of Composers, the Cassatt Quartet, CELLO, Continuum of New York City and Accroche Note of France.

Ms. Stinson has an extensive chamber music discography of almost two dozen CDs, including three recordings on Bridge Records with the Lark Quartet, featured and praised on the BBC, in Gramophone Magazine, WQXR and in the NY Times. She released her solo recording on Albany Records linking European masters to multiple generations of American composers in 2011. In radio, her performances have been broadcast on Swiss Radio, Performance Today in the USA, and on CBC Radio Canada.

Caroline was a student of Tanya Prochazka in Edmonton and earned degrees with honours from the Interlochen Arts Academy, the Cleveland Institute of Music under Alan Harris, the Hochschule für Musik Köln (First Prize) as a student of Maria Kliegel, and completed her Master’s Degree and Artist Diploma at the Juilliard School with Joel Krosnick. While living in Germany, she took courses with Natalia Gutman, Frans Helmerson, Boris Pergamenschikow, Siegfried Palm and Janos Starker. She is the recipient of the J.B.C. Watkins Prize in Music from the Canada Council, first prize in the Hohnen Foundation Cello Competition of Germany, and the American Music Award from the Seventeen/GM National Concerto Competition in the United States. She has been awarded prizes, grants and scholarships from the Alberta Heritage Fund, the Alberta Foundation for the Arts, the Winspear Fund, the Anne Burrows Foundation and the Canada Council for the Arts, and fellowships from the Aspen, Lucerne, Verbier and Sarasota Festivals.

Peter Weitzner, a graduate of the Juilliard School, has performed with Solisti New York, the Jupiter Symphony, EOS Ensemble, SONYC, Philharmonia Virtuosi, Orchestra Lumos, Musicians Accord, and the New Jersey Symphony. As soloist, he has appeared with the Baltimore Symphony and performed the New York premiere of Sheila Silver’s Chant for bass and piano.  Mr. Weitzner has been a frequent participant at international music festivals including Mostly Mozart, OK Mozart, Cape May, Festival of the Hamptons, Bratislava Music Festival, and the Bruckner Festival in Linz, Austria.

An avid chamber musician, Mr. Weitzner is currently the curator and host of the BPL Chamber Players in residence at the Central branch (Grand Army Plaza) of the Brooklyn Public Library. He has performed with the Chamber Music Society of Lincoln Center, the Orion, Ensō and Daedalus Quartets, Trio Solisti, New York Chamber Ensemble, Yale at Norfolk, Cooperstown Chamber Music Festival, New York Philomusica, Garden City Chamber Music Society, Sherman Chamber Ensemble and the Berkshire Bach Society.

He has also performed with the dance companies of Lar Lubovitch and David Parsons as well as Merce Cunningham’s 80th birthday celebration at the Lincoln Center Festival in the New York premiere of Biped. He also participated in a performance at NJPAC (NJ Performing Arts Center) with the re-emerging Alice Coltrane shortly before her passing. For ten years Mr. Weitzner toured the world as a member of the Giora Feidman Trio. In the spring of 2009, he was invited to become a member of the Quincy Jones Musiq Consortium, an arts education advocacy group comprised of arts-related non-profits, musicians and educators.

His work can be heard on the Nonesuch, Albany, Pro Gloria Musicae, New World Records, Musical Heritage Society, Delos, Grenadilla, and Berkshire Bach Society record labels. He has also produced recordings of the Brandenburg Concerti with the Berkshire Bach Society and the critically acclaimed complete flute music of J.S. Bach with flutist Susan Rotholz and Kenneth Cooper, fortepiano, released by Bridge Records. A CD of American flute music with Susan Rotholz and pianist, Margaret Kampmeier has also been released by Bridge. He is also a frequent contributor of concert recordings to NPR’s Performance Today.